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Self Portraits of Frida: Mexican Cultural Context Between the Accident and Diego

dc.authorid0000-0003-0045-4304
dc.authorwosidELY-0462-2022
dc.contributor.authorBatuhan, Tuğba
dc.date.accessioned2023-12-27T09:31:02Z
dc.date.available2023-12-27T09:31:02Z
dc.date.issued2017
dc.departmentMAÜ, Fakülteler, Edebiyat Fakültesi, Sanat Tarihi Bölümüen_US
dc.description.abstractEach self-portrait is a different explanation of Frida without repetition. The self-portraits show an identity of entirely herself with each point of her face. Kahlo made herself an art object in her artworks such as in front of the camera. Frida Kahlo, who painted her first self-portrait in 1926, and continued painting them until she died in 1954, produced more than one hundred images. Frida Kahlo’s self-images point out an interconnection between herself and political messages. Furthermore, two turning points changed Frida’s life and that is the car accident and Rivera. Mexican cultural context is placed between these two turning points.en_US
dc.description.provenanceSubmitted by tuğba batuhan (tugbabatuhan@artuklu.edu.tr) on 2023-12-14T12:26:18Z No. of bitstreams: 0en
dc.description.provenanceApproved for entry into archive by Şerif Tümer (seriftumer@artuklu.edu.tr) on 2023-12-27T09:31:02Z (GMT) No. of bitstreams: 0en
dc.description.provenanceMade available in DSpace on 2023-12-27T09:31:02Z (GMT). No. of bitstreams: 0 Previous issue date: 2017en
dc.identifier.endpage88en_US
dc.identifier.startpage81en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12514/5240
dc.institutionauthorBatuhan, Tuğba
dc.language.isoenen_US
dc.relation.ispartofRecent Developments in Arts (IASSR)en_US
dc.relation.publicationcategoryKitap Bölümü - Uluslararasıen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectFrida Kahlo, Culture, Museum, Arten_US
dc.titleSelf Portraits of Frida: Mexican Cultural Context Between the Accident and Diegoen_US
dc.typeBook Parten_US
dspace.entity.typePublication

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