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Is it the door through death what scares us? An analysis of the Cask of Amontillado between semiotics and narratology interface

dc.authorid 0000-0003-2808-2274
dc.contributor.author Büyükkarcı, Orhun
dc.contributor.other Department of Translation and Interpreting / Mütercim ve Tercümanlık Bölümü
dc.date.accessioned 2021-10-26T11:55:55Z
dc.date.available 2021-10-26T11:55:55Z
dc.date.issued 2021
dc.department MAÜ, Yüksek Okullar, Yabancı Diller Yüksekokulu, Mütercim Tercümanlık Bölümü en_US
dc.description.abstract Semiotics as a comprehensive branch seeks for meaning production process generated by the interrelations of signs, and therefore, may allow examining any discipline. One of those disciplines is literature. The significance of the present study is to draw attention to the analysis of formative structures of a narrative, using analysis tools of literary semiotics and narratology. Accordingly, examining both abstract and concrete fine details of a text, this study aims at investigating how the sense of horror was invoked by Edgar Allan Poe in one of his horror stories, “The Cask of Amontillado”. The methodology of the study, improved by French semiotician, Algirdas Julien Greimas, comprises the analysis of three semantic layers: the discursive, narrative and deep levels. Also, the tools of narratology have been utilized at the discursive level to examine the actors and time in the story, thereby making this an interdisciplinary study. In doing so, the pre-determined semiotic methodology has made it possible to obtain information both on the authorial techniques and the text itself. According to the findings gathered through a semio-narrative analysis, it can be suggested that transformations from beginning to the end of the story regarding characters, space and time have taken place from good to evil, life to death or bright to dark. This further highlights Edgar Allan Poe’s achievements in the creation of horror stories. en_US
dc.description.citation Büyükkarcı O. (2021). Is It the Door Through Death What Scares Us? An Analysis of The Cask of Amontillado Between Semiotics and Narratology Interface. Journal of Narrative and Language, 9(16), 34-56. en_US
dc.identifier.endpage 56 en_US
dc.identifier.issue 16 en_US
dc.identifier.scopus 2-s2.0-85117193263
dc.identifier.startpage 34 en_US
dc.identifier.uri https://www.scopus.com/record/display.uri?eid=2-s2.0-85117193263&origin=SingleRecordEmailAlert&dgcid=raven_sc_affil_en_us_email&txGid=fc4bbde6d80ee9b1944f3726d8701f9a
dc.identifier.uri https://www.nalans.com/index.php/nalans/article/view/363
dc.identifier.uri https://hdl.handle.net/20.500.12514/2907
dc.identifier.volume 9 en_US
dc.indekslendigikaynak Scopus en_US
dc.language.iso en en_US
dc.publisher Journal of Narrative and Language Studies en_US
dc.relation.ispartof Journal of Narrative and Language Studies en_US
dc.relation.publicationcategory Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı en_US
dc.rights info:eu-repo/semantics/openAccess en_US
dc.scopus.citedbyCount 0
dc.subject Literary Semiotics, Narratology, Greimas, “The Cask of Amontillado”, Edgar Allan Poe, Linguistics en_US
dc.title Is it the door through death what scares us? An analysis of the Cask of Amontillado between semiotics and narratology interface en_US
dc.type Article en_US
dspace.entity.type Publication
relation.isAuthorOfPublication d1511ed5-6512-4725-b0c2-de4999f734ff
relation.isAuthorOfPublication.latestForDiscovery d1511ed5-6512-4725-b0c2-de4999f734ff
relation.isOrgUnitOfPublication 39526203-7522-46ca-98b8-7c2f5c3f725b
relation.isOrgUnitOfPublication.latestForDiscovery 39526203-7522-46ca-98b8-7c2f5c3f725b

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