İngiliz Dili ve Edebiyatı Bölümü

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THE INTERTEXTUAL RELATIONSHIPS BETWEEN THE WORKS OF ALBERT CAMUS AND YUSUF ATILGAN
(2016) Güven, Hazar Faruk
Intertexuality, claimed to have been introduced by Bulgarian-French philosopher and literature critic Julia Kristeva, is a term which maintains that it is unlikely for any work not to be affected by the same kind of work written before. Since it is natural to have an interaction between authors, the authors can make reference to the worldview, philosophy and style of the different authors. With intertextuality, especially espoused by postmodern literary movement, the writers give the readers the opportunity to be conscious throughout the work and have different feelings within it by dynamizing their works. Written many articles and books on this term introduced in the mid of the 20. century, the attention has been drawn to the interaction from each other and different works of authors. Intertexuality encountered in the works of Yusuf Atılgan, one of the most important post-republic Turkish writers, is noteworthy. Yusuf Atılgan’s works contain similar features to Algerian-French writer Albert Camus’s works in terms of theme and topics. Existentialist themes like social alienation, religious alienation, isolation, non-communication and indifference in Camus’s works can be seen also in the works of Yusuf Atılgan. Absurdism, grounded after WWI and originated from Existentialism, gaining acceleration following the WWII has begun to maintain the idea that the life is absurd after the destruction and deaths which these two world wars caused the world witnessed. People migrating from rural areas to cities to find an occupation and not being able to adapt to the city life in a rapidly urbanizing world especially following the Industrial Revolution, have been subject to the literature. It is also regarded as a movement about all the human beings in general like intellectual characters question this absurdism and alienate from society in Camus and Atılgan’s works. It is claimed that Atılgan has been influenced by Camus’s philosophy of absurdism. For instance, Atılgan’s The Wanderer’s protagonist, C’s worldview and lifestyle like social alienation, isolation, non-communication and indiffrence show parallelism with Meursault’s lifestyle in Camus’s The Stranger. In our study, the works of these two writers have been compared in terms of intertextuality.
Othello ve Mem u Zin Eserlerindeki Şer Karakterlerin Karşılaştırılması
(2017) Görmez, Aydın; Güven, Hazar Faruk
Dinler tarihine bakıldığında gerek Musevilik, Hıristiyanlık ve İslamiyet gibi tek tanrılı dinlerde gerekse Antik Yunan’da, Roma’da veya Hinduizm gibi çok tanrılı dinlerde “iyi”’nin karşıtı olarak bilinen ve kaçınılması gereken bütün kötülükleri içinde barındıran “şer” olgusu edebiyatta çok işlenen evrensel bir konudur. Şer veya anti-kahraman olarak tanımlanan karakterlerin edebiyatta önemli bir yeri vardır çünkü kötülük olmazsa iyinin kıymetinin bilinmeyeceğine inanılır. Yani, temel zıtlıklar sistemi gereği yapısalcıların da iddia ettiği gibi, bu iki zıt kutup ayrılmaz bir bütün gibidir. Dünya edebiyatı Bayan Macbeth, Mephistopheles, Raskolnikov gibi ölümsüz kötü karakterlere tanık olur. 17. yüzyıl Amerika’sının Püriten edebiyatında çok sık görüldüğü gibi şerle ilişkili karakterlerin eser sonunda mutlak cezalandırılması gibi yazılmamış kuralların varlığı ayrıca dikkat çekicidir. Bu çalışmada William Shakespeare’in Othello ve Ahmed-i Hanî’nin Mem û Zîn eserlerinde iki şer karakter olan Lago ve Beko’nun benzer ve farklı özellikleri karşılaştırmalı olarak ele alınması amaçlanmaktadır.
A REVIEW OF A POSTMODERN NOVEL THE ROMANTIC EGOIST
(Asr Journal, 2020) Alan, Bülent; Güven, Hazar Faruk
ABSTRACT The main purpose of this study is to examine the French writer Frédéric Beigbeder's Romantic Egoist in the context of postmodern literature. The postmodern concept represents the end of modernization, as can be understood from the prefix "post". There are different interpretations of this concept, first introduced in America, whether it is opposed to modernism or successive of it. Ultimately, while the postmodern concept is being debated, it cannot be considered independently of modernism. Postmodern writers support an understanding that practises on all the legacy of literature, makes references to different works, texts and writers. Irony and pastische are characteristics of this movement. Contrary to modern writers, throughout the work postmodern writers make the reader feel that the story is fictional. In this study, after giving a brief summary of this work, which is an example of a postmodern novel, the answer to the question of who is postmodern writer is sought. The fact that the author sometimes presents himself as a novel character in the work shows that he wrote his work using the metafiction technique of postmodern literature. After examining the examples of this technique in the work, the features like epigraph, collage, quotation and reference of the concept of intertextuality, which is one of the areas used by the postmodern literary movement, are discussed.

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