Güzel Sanatlar Fakültesi
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Browsing Güzel Sanatlar Fakültesi by Publication Index "WoS"
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Article Comparison of Ottoman and British War Magazines in the Context of Propaganda in the First World War Period: The Case of "The War Illustrated" and "Harp Mecmuasi"(Marmara Univ, FAC Communication, 2022) Eşitti, Şakir; Işık, Mehmetİlk kitlesel savaş olan I. Dünya Savaşı’nda, kitle iletişim araçlarının propaganda amacıyla yoğun şekilde kullanıldığı görülmektedir. Savaş yılları boyunca basın sıkı bir denetim altında tutulmuş, bizzat devlet eliyle çıkarılan gazete ve dergilerle halka ve askerlere verilmek istenilen mesajlar doğrudan iletilmiştir. Bu dönemde çıkarılan “savaş dergileri” (war magazine) ya da “askeri dergiler” (military magazine), mesajların doğrudan hedef kitleye iletilmesi açısından önemli bir yere sahiptir. Mevcut literatürde Osmanlı Devleti’nin I. Dünya Savaşı yıllarında yaptığı propaganda faaliyetleriyle savaştığı ülkelerdeki propaganda faaliyetlerini karşılaştırarak inceleyen çalışmaların sayısının oldukça yetersiz olduğu gözlenmektedir. Bu çalışmanın temel amacı I. Dünya Savaşı yıllarında, dönemin süper gücü konumundaki Büyük Britanya’nın ve Osmanlı Devleti’nin askeri dergilerdeki propaganda faaliyetlerini propaganda teknikleri açısından karşılaştırmalı olarak incelemek, bu yolla dönemin iki karşıt devletinin propagandalarındaki benzerlik ve farklılıkları ortaya koymaktır. Bu doğrultuda çalışmada, I. Dünya Savaşı yılarında Büyük Britanya’da yayınlanan The War Illustrated dergisi ile Osmanlı Devleti’nde çıkarılan Harp Mecmuası dergisinin içerik ve söylemleri propaganda teknikleri açısından karşılaştırmalı olarak incelenmiştir. Yapılan analizler sonucunda The War Illustrated dergisinde Domenach’ın güçlü propagandanın beş temel kuralına uygun bir propaganda kampanyası yürütüldüğü Harp Mecmuası’nda ise bu kurallara yeterince uyulmadığı sonuçlarına ulaşılmıştır.Article Extreme Nationalist Discourse In The Early Period Of The Turkish Republic And Its Reflection To The Turkish Media: The Case Of Gök-Börü Journal(Siyasal: Journal of Political Sciences, 2018) Işık, Mehmet; Esitti, SakirSince its emergence, nationalism has been maintaining its influence on societies and media has enabled the re-production of nationalist ideologies, rituals, symbols, myths and discourses. Nationalism has changed and transformed both over time and among different political regimes and societies. Therefore, in order to fully understand the current state of nationalist ideologies, it is important to examine the historical development of nationalism and its reflections in media. This article examines the emergence and early period of Turkish nationalism and its reflections in the Turkish media. After the establishment of the Turkish Republic, particularly during the period between 1923 and 1950, new notions and institutions settled into the society. One of the most important notions during that time was nationalism given that the new Turkish Republic was established as a nation state. Turkish nationalism is mostly affected by political and social changes of the external world. Between the two world wars, extreme nationalist ideologies were popular all around the globe. This atmosphere of the external world also affected Turkish nationalist discourse and its reflections in the media. “Gök-börü” Journal is an important example of extreme Turkish nationalist discourse. The Journal was published in the Autumn of 1942 when Germany was pushing through Russia. This period was also a time when extreme nationalism and racism was occurring in the world and in Turkey, both were popular concepts. The journal can be differentiated from the other Turkic magazines published during the same period by its harsh rhetoric and ideas about blood nationalism.Article Citation - WoS: 1From sacrificing sister to star sister: the history of queer celebrity in Turkey(Taylor & Francis Online, 2022) Duyan, YektanurşinThis article investigates the relationship between celebrity and queerness in Turkey by examining the social media celebrities Kerimcan Durmaz, Selin Ciğerci, and Murat Övüç. Although they resemble lesbian, gay, bisexual, and transgender (LGBT) celebrities from earlier periods, queer Turkish celebrities on digital platforms like Instagram can enrich our understanding of general changes to queer celebrity in modern Turkey. While the secular nature of the Turkish Republic is revered by many, Islam is often regarded as the essence of Turkish culture. In this context, queerness is stringently repressed by religiously informed national norms, with the stage representing the sole avenue for tacitly accepted queer expression.1 For this reason, most queer artists make use of Islamic discourse. For example, they emphasise their Muslim identity and make frequent references to Allah in conversations, interviews, performances, and songs. In essence, they emphasise that they are Muslims in all circumstances and under all conditions. Any attempt to analyse and understand queer celebrity and conservative discourse in Turkey calls for a reflection on Islam and secularism. Examining these connections will be the task of this studyArticle Citation - WoS: 3Citation - Scopus: 4The sound of silence: Breathing analysis for finding traces of trauma and depression in oral history archives(Oxford Academic, 2021) Akdag Salah, Almila; Salah, Albert Ali; Kaya, Heysem; Doyran, Metehan; Kavcar, EvrimMany people experience a traumatic event during their lifetime. In some extraordinary situations, such as natural disasters, war, massacres, terrorism, or mass migration, the traumatic event is shared by a community and the effects go beyond those directly affected. Today, thanks to recorded interviews and testimonials, many archives and collections exist that are open to researchers of trauma studies, holocaust studies, and historians, among others. These archives act as vital testimonials for oral history, politics, and human rights. As such, they are usually either transcribed or meticulously indexed. In this work, we propose to look at the nonverbal signals emitted by victims of various traumatic events when they describe the trauma and we seek to render these for novel representations without taking into account the explicit verbal content. Our preliminary paralinguistic analysis on a manually annotated collection of testimonials from different archives, as well as on a corpus prepared for depression and post-traumatic stress disorder detection indicates a tentative connection between breathing and emotional states of speakers, which opens up new possibilities of exploring oral history archives.
