Mütercim Tercümanlık Bölümü Koleksiyonu

Permanent URI for this collectionhttps://hdl.handle.net/20.500.12514/144

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Is it the door through death what scares us? An analysis of the Cask of Amontillado between semiotics and narratology interface
(Journal of Narrative and Language Studies, 2021) Büyükkarcı, Orhun
Semiotics as a comprehensive branch seeks for meaning production process generated by the interrelations of signs, and therefore, may allow examining any discipline. One of those disciplines is literature. The significance of the present study is to draw attention to the analysis of formative structures of a narrative, using analysis tools of literary semiotics and narratology. Accordingly, examining both abstract and concrete fine details of a text, this study aims at investigating how the sense of horror was invoked by Edgar Allan Poe in one of his horror stories, “The Cask of Amontillado”. The methodology of the study, improved by French semiotician, Algirdas Julien Greimas, comprises the analysis of three semantic layers: the discursive, narrative and deep levels. Also, the tools of narratology have been utilized at the discursive level to examine the actors and time in the story, thereby making this an interdisciplinary study. In doing so, the pre-determined semiotic methodology has made it possible to obtain information both on the authorial techniques and the text itself. According to the findings gathered through a semio-narrative analysis, it can be suggested that transformations from beginning to the end of the story regarding characters, space and time have taken place from good to evil, life to death or bright to dark. This further highlights Edgar Allan Poe’s achievements in the creation of horror stories.
Citation - WoS: 2
Citation - Scopus: 2
Latmos: A semiotic view on the subject's role in the sustainability of natural and cultural values
(Semiotica, 2023) Kalelioǧlu, Murat
Along with the developments in social, scientific, and technological fields, today’s conditions are constantly changing and becoming much more complex. Humans must keep pace with the rapidly changing world, meet requirements, and solve various problems encountered with minimal damage. One of the most crucial obligations is to preserve the delicate balance between nature and culture to make it sustainable for humanity. This study is carried out pursuant to semiotics with an interdisciplinary perspective dealing with the relation of culture with nature and the role of humans, as a subject, in this relation regarding both natural and cultural heritages of Latmos. The study examines the subject’s acts and possible influences on nature, culture, and society in the region. It is seen that there is an uphill battle between two different subjects; the reason for this is a conflict of interest encountered on individual and social planes. On the one hand, one of the subjects is aware of the positive effects of preserving natural and cultural values on society and its future. On the other hand, another subject is unaware of all these or is aware of them but ignores natural and cultural values and destroys them for the sake of self-interest.
Citation - Scopus: 1
A narratological analysis of O. Henry's "the ransom of red chief"
(NALANS: Journal of Narrative and Language Studies, 2020) Büyükkarcı, Orhun; Kalelioğlu, Murat
The studies within the frame of classical narratology have remarkably contributed to the field of narrative analysis. The significance of the present study is to raise awareness of constructive elements of a narrative using classical narrative analysis. This study aims at investigating character, time and space in O. Henry's "The Ransom of Red Chief", using the narratological terminologies in the analysis. Considering the current situation of narratology as a method of analysis that involves many approaches towards a high number of aspects in a narrative, the study focuses on the essential constructive elements of the story and point of view. The employs the theoretical terminologies offered by classical narratologists. Findings in the study fall into two categories: Narration and narratorial position of the narrator, and formative elements of the story. These categories present three essential formative components, (a) Characters and characterization, (b) space, and (c) time. The data gathered from the findings indicated that O. Henry's achievement might lean on the prevalence of a reliable narrator using discourse time more for the narration of incidents between the characters than that of others in specific types of space with humoristic style as well as situational and verbal irony. This study allows for critical implications both on the readers who wish to understand O. Henry better and on the researchers calling for an increase in the number of narrative studies.
Semiotic Analysis of the Affective Domain of Discourse: Projection of Emotional Transformations
(Cyprus International University, 2021) Kalelioğlu, M.
Literature is one of the most important representations of the artistic field, which is constructed by an extraordinary sequence of verbal and nonverbal signs. Short story is one of the genres of this area in which encountering various kinds of signs is possible through the production process. There are umpteen signs in relation to the attitudes of narrative persons in such stories. In such short story narratives, which are a linguistic message, many indications about the behavior and attitudes of the narrator can be encountered. These indicators are behavioral-emotional indicators that reveal the mood of narrative figures such as joy, enthusiasm, sadness, crying, hugging, and hugging. Nonverbal signs, sometimes, do not make sense alone. However, they are meaningful when they are used in a particular context to support the verbal signs, which displays contribution of the nonverbal signs to the meaning established with the verbal signs. What is significant here is the harmony of using nonverbal signs in conjunction with the verbal ones. If that congruence exists, the produced message becomes stronger and increases its effect; otherwise, the power and impact of the message decrease. Hence, the message becomes meaningless. In this study, how the affective domain of discourse is produced in short stories, and the contribution of nonverbal signs in the construction of meaning and emotional field is investigated. The research is carried out pursuant to the possibilities offered by semiotics of discourse approach, which explores and clarifies the inner world of the subject of enunciation, who produces discourse, the changing mood, and the forms of expressions of the subject in different situations and events in narratives. Throughout the study, affective domain of discourse and the stages of it –affective awakening stage, disposition stage, passional pivot stage, emotion stage, and moralization stage– are examined pursuant to semiotics of discourse approach, elaborated by Jacques Fontanille, who is one of the representatives of Paris School of Semiotics. © 2021 Cyprus International University. All rights reserved.
Semiotic analysis of the affective domain of discourse: Projection of emotional transformations
(2021) Kalelioğlu, Murat
Literature is one of the most important representations of the artistic field, which is constructed by an extraordinary sequence of verbal and nonverbal signs. Short story is one of the genres of this area in which encountering various kinds of signs is possible through the production process. There are umpteen signs in relation to the attitudes of narrative persons in such stories. In such short story narratives, which are a linguistic message, many indications about the behavior and attitudes of the narrator can be encountered. These indicators are behavioral-emotional indicators that reveal the mood of narrative figures such as joy, enthusiasm, sadness, crying, hugging, and hugging. Nonverbal signs, sometimes, do not make sense alone. However, they are meaningful when they are used in a particular context to support the verbal signs, which displays contribution of the nonverbal signs to the meaning established with the verbal signs. What is significant here is the harmony of using nonverbal signs in conjunction with the verbal ones. If that congruence exists, the produced message becomes stronger and increases its effect; otherwise, the power and impact of the message decrease. Hence, the message becomes meaningless. In this study, how the affective domain of discourse is produced in short stories, and the contribution of nonverbal signs in the construction of meaning and emotional field is investigated. The research is carried out pursuant to the possibilities offered by semiotics of discourse approach, which explores and clarifies the inner world of the subject of enunciation, who produces discourse, the changing mood, and the forms of expressions of the subject in different situations and events in narratives. Throughout the study, affective domain of discourse and the stages of it –affective awakening stage, disposition stage, passional pivot stage, emotion stage, and moralization stage– are examined pursuant to semiotics of discourse approach, elaborated by Jacques Fontanille, who is one of the representatives of Paris School of Semiotics.

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