Mütercim Tercümanlık Bölümü Koleksiyonu

Permanent URI for this collectionhttps://hdl.handle.net/20.500.12514/144

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Citation - WoS: 2
Citation - Scopus: 2
Latmos: A semiotic view on the subject's role in the sustainability of natural and cultural values
(Semiotica, 2023) Kalelioǧlu, Murat
Along with the developments in social, scientific, and technological fields, today’s conditions are constantly changing and becoming much more complex. Humans must keep pace with the rapidly changing world, meet requirements, and solve various problems encountered with minimal damage. One of the most crucial obligations is to preserve the delicate balance between nature and culture to make it sustainable for humanity. This study is carried out pursuant to semiotics with an interdisciplinary perspective dealing with the relation of culture with nature and the role of humans, as a subject, in this relation regarding both natural and cultural heritages of Latmos. The study examines the subject’s acts and possible influences on nature, culture, and society in the region. It is seen that there is an uphill battle between two different subjects; the reason for this is a conflict of interest encountered on individual and social planes. On the one hand, one of the subjects is aware of the positive effects of preserving natural and cultural values on society and its future. On the other hand, another subject is unaware of all these or is aware of them but ignores natural and cultural values and destroys them for the sake of self-interest.
NARRATIVE SEMIOTICS AND THE CITY: THE PLACE OF THE CONCEPT OF 'CITY' IN ITALO CALVINO'S INVISIBLE CITIES
(İstanbul Üniversitesi, 2021) Kalelioğlu, Murat
The significant element is the subject of enunciation −author− considering literature and practice of writing. The author struggles to combine images via language and generates a semantic universe throughout the process in the system of literature. This universe is generated with systematic sequences of signs. The artwork, which has been qualified as being a specific message, turns into a sign just as Italo Calvino’s Invisible Cities (1972) is analyzed by the end of that generative process. The theme of the narrative is the image of happy cities, which have been lost in distorted and unhappy ones. In this way, the subject of enunciation establishes a link between symbolic cities and real cities, and he makes a tangible reference to the realities of urban life. The author of enunciation builds the semantic universe of the narrative on the dichotomy of happy and unhappy cities. These cities, where cultural exchange is realized, are described as a clearing place of desires and memories and are the protagonist of the narrative rather than the decor. Through the study, a semiotic analysis of how the meaning generation process is structured will be carried out by adhering to the theme of the narrative. Also, the place of the ‘city’ concept in Calvino’s narrative will be questioned.
Semiotic Analysis of the Affective Domain of Discourse: Projection of Emotional Transformations
(Cyprus International University, 2021) Kalelioğlu, M.
Literature is one of the most important representations of the artistic field, which is constructed by an extraordinary sequence of verbal and nonverbal signs. Short story is one of the genres of this area in which encountering various kinds of signs is possible through the production process. There are umpteen signs in relation to the attitudes of narrative persons in such stories. In such short story narratives, which are a linguistic message, many indications about the behavior and attitudes of the narrator can be encountered. These indicators are behavioral-emotional indicators that reveal the mood of narrative figures such as joy, enthusiasm, sadness, crying, hugging, and hugging. Nonverbal signs, sometimes, do not make sense alone. However, they are meaningful when they are used in a particular context to support the verbal signs, which displays contribution of the nonverbal signs to the meaning established with the verbal signs. What is significant here is the harmony of using nonverbal signs in conjunction with the verbal ones. If that congruence exists, the produced message becomes stronger and increases its effect; otherwise, the power and impact of the message decrease. Hence, the message becomes meaningless. In this study, how the affective domain of discourse is produced in short stories, and the contribution of nonverbal signs in the construction of meaning and emotional field is investigated. The research is carried out pursuant to the possibilities offered by semiotics of discourse approach, which explores and clarifies the inner world of the subject of enunciation, who produces discourse, the changing mood, and the forms of expressions of the subject in different situations and events in narratives. Throughout the study, affective domain of discourse and the stages of it –affective awakening stage, disposition stage, passional pivot stage, emotion stage, and moralization stage– are examined pursuant to semiotics of discourse approach, elaborated by Jacques Fontanille, who is one of the representatives of Paris School of Semiotics. © 2021 Cyprus International University. All rights reserved.
Semiotic analysis of the affective domain of discourse: Projection of emotional transformations
(2021) Kalelioğlu, Murat
Literature is one of the most important representations of the artistic field, which is constructed by an extraordinary sequence of verbal and nonverbal signs. Short story is one of the genres of this area in which encountering various kinds of signs is possible through the production process. There are umpteen signs in relation to the attitudes of narrative persons in such stories. In such short story narratives, which are a linguistic message, many indications about the behavior and attitudes of the narrator can be encountered. These indicators are behavioral-emotional indicators that reveal the mood of narrative figures such as joy, enthusiasm, sadness, crying, hugging, and hugging. Nonverbal signs, sometimes, do not make sense alone. However, they are meaningful when they are used in a particular context to support the verbal signs, which displays contribution of the nonverbal signs to the meaning established with the verbal signs. What is significant here is the harmony of using nonverbal signs in conjunction with the verbal ones. If that congruence exists, the produced message becomes stronger and increases its effect; otherwise, the power and impact of the message decrease. Hence, the message becomes meaningless. In this study, how the affective domain of discourse is produced in short stories, and the contribution of nonverbal signs in the construction of meaning and emotional field is investigated. The research is carried out pursuant to the possibilities offered by semiotics of discourse approach, which explores and clarifies the inner world of the subject of enunciation, who produces discourse, the changing mood, and the forms of expressions of the subject in different situations and events in narratives. Throughout the study, affective domain of discourse and the stages of it –affective awakening stage, disposition stage, passional pivot stage, emotion stage, and moralization stage– are examined pursuant to semiotics of discourse approach, elaborated by Jacques Fontanille, who is one of the representatives of Paris School of Semiotics.

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