A Structuralist Analysis of Women’s Position in George Eliot’s "Middlemarch"

dc.contributor.author Alkan, Halit
dc.contributor.author Alkan, Halit
dc.contributor.other 02.07. Department of English Language and Literature / İngiliz Dili ve Edebiyatı Bölümü
dc.contributor.other 02. Faculty of Letters / Edebiyat Fakültesi
dc.contributor.other 01. Mardin Artuklu University / Mardin Artuklu Üniversitesi
dc.date.accessioned 2024-01-11T11:27:32Z
dc.date.available 2024-01-11T11:27:32Z
dc.date.issued 2019
dc.description.abstract Structuralism that began to be active in the 1950’s is the approach to define the relationship between the part and the whole. This study aims to analyse George Eliot’s "Middlemarch" (1872) in terms of the structuralist approach. This novel is analysed synchronically. In the surface structure of the novel, there is a plot based on the relationships between Dorothea Brooke, Edward Casaubon, Rosamond Vincy and Tertius Lydgate. In terms of syntagmatic relation, while Dorothea marries Casaubon, Rosamond marries Lydgate. Both Dorothea and Rosamond marry their spouses to actualize only their dream goals. In terms of paradigmatic relation, there is also homology of relationships between the two couples because there is an unhappy marriage between Dorothea and Casaubon as well as an unhappy marriage between Rosamond and Lydgate. In terms of syntagmatic relation, Dorothea’s husband dies; Rosamond’s husband dies; Dorothea makes a second marriage; Rosamond makes a second marriage. The novel ends but its melody continues because Dorothea and Rosamond are given no role other than being a wife and mother in the male-dominant society. Education, debt and unhappiness in the surface structure of the novel are closed signs. These signs become explicit signs in the deep structure of the novel in the following sense: While the signifier is education, the signified is enlightenment and self-knowledge; while the signifier is debt, the signified is failure and poverty; while the signifier is unhappiness, the signified is illusion and empathy. As for the deep structure of the novel, its harmony operates on binary opposition between Dorothea and Rosamond as follows: ignorance/knowledge, poverty/wealth, imaginary/reality, selfish/unselfish, love/money. The deep meaning obtained from the deep structure is as follows: There is no innate difference between men and women in terms of mental capacity, but there are prejudices imposed by the male-dominated society on women. This is because the patriarchal society does not allow women to have the same educational opportunities as men. Women who are not allowed an adequate education are left with no choice but to marry and have only the role of a wife and mother in society. en_US
dc.identifier.citation Alkan, H. (2019). “A Structuralist Analysis of Women’s Position in George Eliot’s Middlemarch”. Academic Studies in Philology-2019/2, ed. Zehra Göre. Cetinje: IVPE, 53-74. en_US
dc.identifier.uri http://www.uakb.org/source/2019%20EYUL%20KITAPLARI/2019%20EYLUL/ACADEMIC%20STUDIES%20IN%20PHILOLOGY-2019-2.pdf
dc.identifier.uri https://hdl.handle.net/20.500.12514/5557
dc.language.iso en en_US
dc.publisher IVPE en_US
dc.relation.ispartof Academic Studies in Philology-2019/2 en_US
dc.rights info:eu-repo/semantics/openAccess en_US
dc.subject Structuralism, Feminism, George Eliot, “Middlemarch”. en_US
dc.title A Structuralist Analysis of Women’s Position in George Eliot’s "Middlemarch" en_US
dc.type Book Part en_US
dspace.entity.type Publication
gdc.author.id 0000-0002-7170-6196
gdc.author.institutional Alkan, Halit
gdc.author.scopusid 58516862600
gdc.coar.access open access
gdc.coar.type text::book::book part
gdc.description.department MAÜ, Fakülteler, Edebiyat Fakültesi, İngiliz Dili ve Edebiyatı Bölümü en_US
gdc.description.endpage 74 en_US
gdc.description.publicationcategory Kitap Bölümü - Uluslararası en_US
gdc.description.startpage 53 en_US
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