Fars Dili ve Edebiyatı Bölümü

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ARİF KAZVİNÎ’NİN SÜLEYMAN NAZİF KASİDESİ
(Doğu Araştırmaları Dergisi sayı 2016/2, 2016) BAŞÇI, Nezahat; Başçı, Nezahat; 02.05. Department of Persian Language and Literature / Fars Dili ve Edebiyatı Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu Üniversitesi
Arif Qazvini, who is referred to as an Iranian national poet, had polemic against some of the Ottoman poets and intellectuals during both his years in Istanbul and after on. His 43-couplet qasida which he titled "Suleyman Nazif " is the best known of all. In essence, this qasida is a kind of debate and fight between Pan-Turkist and Pan-Iranist idea. Both Suleyman Nazif and Arif Qazvini adopted stand according to the political and social changes of their time and expressed their opinions by help of literature. However, they used a harsh and less than polite language toward each other. In this article, we attempt to study Arif Qazvini and his 43-couplet qasida which is a good example in terms of explaining role of literature in exploring nation-state notion in the first quarter of 1900's, and rivalry between the Ottoman and Iran at the time.
CEMALEDDIN AFGANİ'NİN EDEBİ KİŞİLİĞI VE ŞİİRLERİ
(e-Şarkiyat İlmi Araştırmalar Dergisi/Journal of Oriental Scientific Research (JOSR), 2019) Başçı, Nezahat; Başçı, Nezahat; 02.05. Department of Persian Language and Literature / Fars Dili ve Edebiyatı Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu Üniversitesi
There are some poems that have an important place in understanding of his emotions and thoughts, reflecting the literary and artistic aspect of the Afghani, one of the important ideas and politicians of the 20th century Islamic world. Being familiar with Arabic and Persian literature, as well as literatures of different languages, the Afghani has despacthed messages or has been alone with his own inner world through the poems he had written or noted in a variety of ways. The longest and most voluminous of her poems is Sakinâme with a total of ninety couplets. In addition to this, there are also poetry and single poems written in Arabic, Persian and Persian in the form of rubai, gazel, mesnevi and kaside. As these poems reflect the poetic, literary and aesthetic taste of Afghan; the political difficulties in his view of the turbulent (his) life and his political difficulties are reflected in his pseudonym language. Based on these poems, which include references to Ottoman statesmen, he presented the translation of poems; we will try to shed light on the poetry, art and literature understanding of Afghani, who is not recognized in our country with his literary aspects.
The concept of “love” according to rumi and Shakespeare, A comparative study of Mathnavi and Antonu and Cleopatra
(Doğu Araştırmaları Dergisi sayı 2009–2, 2009) BAŞÇI, Nezahat; Başçı, Nezahat; BAŞÇI, Nezahat; 02.05. Department of Persian Language and Literature / Fars Dili ve Edebiyatı Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu Üniversitesi
The main motif behind most of Shakespeare’s tragedies is the concept of Love. This concept may also be seen as the major theme in many of the stories of Rumi’s Mathnawi and Dīvân–e Shams. The fate of this love is usually the death of the lovers by the end of the story. This common theme, along with the common ending of such stories, is the main topic of this article. In this work, the definitions of love are briefly provided according to Sufism and Rumi’s ideas, and then 11 common items with respect to the concept of love are studied in the works of these two great literary figures. The data for this research have been collected based on Shakespeare’s tragedies, and Rumi’s verses, and the concept of love has been studied in two levels of Form and content. The idea of love forms the basis of Shakespeare’s tragedies, and leads to the death of the lovers. Therefore, death is also studied within this framework along with love. The ultimate goal of this article is to provide an analysis of the common features of love in Shakespeare’s work from the eye of an oriental, Persian-speaking reader, who is more acquainted with Rumi’s works. Among Shakespeare’s tragedies, Antony and Cleopatra has been chosen as the main source, however, the other great tragedies of his have not been neglected. KEY WORDS Rumi, Shakespeare, love, Antony and Cleopatra, Mathnawi.
Kadim Bir Münâzara ve Müfâhare Örneği: Dreḫt-ī Āsūrīg
(İran Çalışmaları Dergisi, 2022) Başçı, Nezat; Başçı, Nezahat; Başçı, Veysel; 02.05. Department of Persian Language and Literature / Fars Dili ve Edebiyatı Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu Üniversitesi
Sasaniler döneminde Pehlevi diliyle yazıya aktarılmış Dreḫt-ī Āsūrīg (Asur Ağacı), doğu edebiyatlarında dıştan bakınca “din dışı” gibi görünen metinlerdendir. Ayrıca doğunun en kadim münâzara ve müfâhare örneklerindendir. Bir keçi ile bir hurma ağacının atışmasını ve üstünlük yarışını konu alan anlatıda keçi, hayvancılıkla uğraşan Zerdüştî toplulukları, karşısındaki hurma ağacı ise Mezopotamya menşeli çok tanrılı Asur topluluklarını ezoterik şekilde temsil eder. Bu yönüyle eser Aryan ve Semitik halkların münâzarası olarak da görülebilir. Münâzaranın bunun dışında da farklı sembolik yönleri ve semantik özellikleri sözkonusudur. Toplam 121 bentten oluşan ünazaranın farklı dillerde birçok çevirisi bulunmaktadır. Bir kopyası Mehraban Kay-Khosrow Kodeksi arasında günümüze kadar ulaşmış münâzarada, huzvariş kelimelerde olduğundan; satır aralarında semitik dillerden Süryancanın izlerine de rastlamak mümkündür. Bu makalede, Pehlevi yazılı mirası içerisinde yer alan Dreḫt-ī Āsūrīg’in incelemeli tanıtımı yapılmış ve ortografik transkripsiyonuyla birlikte Türkçe çevirisi eksiksiz şekilde araştırmacılara sunulmuştur. Metinde yer alan bazı özel kavram ve semboller; kadim İran kültür ve edebiyatı, Mezopotamya sahası ve Zerdüştlük alanı incelemelerine katkı sağlaması amacıyla değerlendirilmiştir.
MİRZA AĞAHAN-I KİRMANÎ'NİN KASİDESİNDE İTTİHAD-I İSLAM SÖYLEMİ VE SULTAN II. ABDÜLHAMİD
(2016) Başçı, Nezahat; Başçı, Nezahat; 02.05. Department of Persian Language and Literature / Fars Dili ve Edebiyatı Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu Üniversitesi
İran'ın aydınlanma çağında özgür düşüncenin, yeniliğin, modern milliyetçiliğin ve rasyonalizmin öncülerinden olmuş şair, yazar ve düşünür Mirza Ağa Han-ı Kirmanî uzun yıllar yaşadığı İstanbul'da, Seyyid Cemâleddin Afgâni ve Şeyh Ahmed-i Ruhi gibi isimlerle birlikte Sultan II. Abdulhamid'in İttihad-ı İslam söyleminin ateşli taraftarlarından birisi olmuştur. Kirmanî'nin düşüncelerinde ve bazı şiirlerinde; özelde Sultan II. Abdülhamid'in genelde ise Osmanlının Doğu politikalarına ilişkin etkiler görmek mümkündür. Kirmanî aynı zamanda Kaçarlar ve Meşrutiyet Dönemi Fars Edebiyatının da yenilikçilerinden kabul edilir ve Mirza Malkom Han, Zeynelâbidin Merağeyi, Ahundov ve Talibov gibi İran Meşrutiyet dönemi önemli fikir ve edebiyatçıları arasında gösterilir. Osmanlı ve İran arasında diplomatik kriz çıkaracak kadar çok yönlü siyasi bir hayata sahip bu edebiyat eleştirmeni ve şair'in Sultan II. Abdülhamid'e hitaben kaleme aldığı politik kasidesi, Osmanlı ile münasebetleri ve bilhassa İttihad-ı İslam [Panislamizm] siyasetine bakışı ve yaklaşımı, ülkemiz yakın tarihi açısından da önemlidir
MİRZA AĞAHAN-I KİRMANÎ’NİN KASİDESİNDE İTTİHAD-I İSLAM SÖYLEMİ VE SULTAN II. ABDÜLHAMİD
(e-Şarkiyat İlmi Araştırmalar Dergisi Journal of Oriental Scientific Research (JOSR), 2016) BAŞÇI, Nezahat; Başçı, Nezahat; 02.05. Department of Persian Language and Literature / Fars Dili ve Edebiyatı Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu Üniversitesi
In the intellectual history of Iran, Mirza Aga Khan Kirmanî has been one of the fiercest advocates of Sultan Abdul Hamid II’s idea of Panislamism during his years in Istanbul along with other figures such as Sayyid Jamaluddin Afghani and Sheikh Ahmad Ruhi. We can see the influence of the Sultan Abdul Hamid II in particular and the Eastern politics of Ottomans in general in his thoughts and Ode. Besides being known as one of the reformers of Persian Literature of Qajar and Constitutional era, he is also accepted as a significant thinker and writer of Iranian constitutionalism amongst Mirza Malkom Khan, Zayn al-Abidin Maraghi, Ahundov, Talibov and other clerics and disciples. He was a literary criticist who simultaneously pursued a multi-faceted political life which would even lead to a political crisis between the Ottomans and the Iranians. Similar thoughts onPanislamism, Kirmanî’s political odes inscribed to Sultan Abdul Hamid II and his relations with the Ottomans constitute a significant place in the modern history of Turkey.
MİRZÂDE IŞKÎ KÜLLİYATINDA OSMANLI - TÜRK MÜLAHAZALARI
(Doğu Araştırmaları Dergisi sayı 2014/2, 2014) BAŞÇI, Nezahat; Başçı, Nezahat; 02.05. Department of Persian Language and Literature / Fars Dili ve Edebiyatı Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu Üniversitesi
In many parts in his poetry, articles, play and opera writings Mirzadeh Eshghi, one of the most significant poets of Iranian Constitutionalism era, talks of the Ottoman, Bab-i Ali, Istanbul and Turks. He lived in Istanbul during First World War. Eshghi, as a poet and journalist at the same time, was influenced by ottoman idea and criticized the Young Turks on some their assertions and ideas. In this sense, he was one the major personalities that reflect the Iranian intellectual upheld view of the Ottoman. Eshghi, is considered as a patriotic poet of Iranian Constitutionalism period. Ottoman empire got potrayed true to the political, cultural and literary conjunctural of the time in his poetry. Altough, this could be said to be particle to Eshghi, we can see the same trace in other patriotic Iranian poets of the time. He met Turkish intellectuals such as Ali Nihad Tarlan, Huseyin Danis Pedram and Riza Tevfik. We can infer that he was influenced by Tevfik Fikret's reformist ideas, yet he would still talk in favour of Ottoman-Iranian alliance against the West, or answer Turanists very harshly on occasion, or accuse the Iranian committee of treachery for negotiating with Ottomans. Eshghi, had a short but accomplished life. In this article, we will try to present Eshghi’s perception of the Ottoman Empire and Turks by referring to his poetry.
Osmanlı Safevi İlişkileri Bağlamında " Selimnamelerde Kürtler"
(Kitap Yayınevi, 2017) BAŞÇI, Nezahat; Başçı, Nezahat; 02.05. Department of Persian Language and Literature / Fars Dili ve Edebiyatı Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu Üniversitesi
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The Role of Heterodox Kurdish Belief in the Period of Rivalry between Sultan SelimI and Shah Ismail I: Based on the Selimshahname ofIdris-i Bitlisi
(International Journal of Kurdish Studies, 2020) Başçı, Nezahat; Başçı, Nezahat; 02.05. Department of Persian Language and Literature / Fars Dili ve Edebiyatı Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu Üniversitesi
This article focuses on the role of the Kurds in the Safavid State during its establishment and restructuring period and aims to describe the influence of the Kurds on Shah Ismail Safavi ’s achievements and acquisition of power. The Ottomans reacted in a serious and multi-faceted way to the actively ideological and strategic role and assistance of the Kurds as regards Shah Ismail’s ascension to the throne. This period also inaugurates the beginning of a history of the Kurds who remained in the territories of the Ottoman State. Of the sources on this period, the Selimshahname of İdris-i Bitlisi is undoubtedly the most important.

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