Two Squares Examples In The Light Of Gnosticism, Rose-Cross And Theosophy: "Dark Darkness" (Robert Fludd) And "Black Square" (Kazimir Malevich);

Abstract

The picture without the subject in Art History defined as Kazimir Malevich's "Black Square" is the discipline of work reveals a different dimension of Modernism. Non-figurative paintings understanding with the termination Naturalism also has the world's transition to the real world has been well supersense tool. This trend indicators on abstract or geometric form as the picture has changed as the transmission of new reality. As a result of this, Malevich's 'Black Square' is the work of artist's known, as the presentation of the opinion that the transfer of metaphysics with his own artistic language. And when viewed from the angle of historical continuity world's supersense geometric form as 'square' transmission through the shape of the fact that much before the 20thCentury is discussed on another continent, but rather with a similar worldview. British occultist, mystic, alchemist, science and art dealing at the same time hermetic established in the understanding of light who grew up with the teachings depends on the Rose-Cross school, Robert Fludd, which performs as an illustration in 1617 "Dark Darkness" is a black square sample in the study was transferring his vision of the occult World. In this study those two names who lived different centuries also different geography but the same geometrical form and the same color preference transmits the view of supersense, because of that transfer offers through frames on Gnosticism, Rose-Cross School and Theosophy terms also art history discipline in the light will be described in the context Pre-Modernism and Modernism. © 2019 Celestinesca. All rights reserved.