Fars Dili ve Edebiyatı Bölümü

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ARİF KAZVİNÎ’NİN SÜLEYMAN NAZİF KASİDESİ
(Doğu Araştırmaları Dergisi sayı 2016/2, 2016) BAŞÇI, Nezahat
Arif Qazvini, who is referred to as an Iranian national poet, had polemic against some of the Ottoman poets and intellectuals during both his years in Istanbul and after on. His 43-couplet qasida which he titled "Suleyman Nazif " is the best known of all. In essence, this qasida is a kind of debate and fight between Pan-Turkist and Pan-Iranist idea. Both Suleyman Nazif and Arif Qazvini adopted stand according to the political and social changes of their time and expressed their opinions by help of literature. However, they used a harsh and less than polite language toward each other. In this article, we attempt to study Arif Qazvini and his 43-couplet qasida which is a good example in terms of explaining role of literature in exploring nation-state notion in the first quarter of 1900's, and rivalry between the Ottoman and Iran at the time.
The concept of “love” according to rumi and Shakespeare, A comparative study of Mathnavi and Antonu and Cleopatra
(Doğu Araştırmaları Dergisi sayı 2009–2, 2009) BAŞÇI, Nezahat; BAŞÇI, Nezahat
The main motif behind most of Shakespeare’s tragedies is the concept of Love. This concept may also be seen as the major theme in many of the stories of Rumi’s Mathnawi and Dīvân–e Shams. The fate of this love is usually the death of the lovers by the end of the story. This common theme, along with the common ending of such stories, is the main topic of this article. In this work, the definitions of love are briefly provided according to Sufism and Rumi’s ideas, and then 11 common items with respect to the concept of love are studied in the works of these two great literary figures. The data for this research have been collected based on Shakespeare’s tragedies, and Rumi’s verses, and the concept of love has been studied in two levels of Form and content. The idea of love forms the basis of Shakespeare’s tragedies, and leads to the death of the lovers. Therefore, death is also studied within this framework along with love. The ultimate goal of this article is to provide an analysis of the common features of love in Shakespeare’s work from the eye of an oriental, Persian-speaking reader, who is more acquainted with Rumi’s works. Among Shakespeare’s tragedies, Antony and Cleopatra has been chosen as the main source, however, the other great tragedies of his have not been neglected. KEY WORDS Rumi, Shakespeare, love, Antony and Cleopatra, Mathnawi.
MİRZA AĞAHAN-I KİRMANÎ’NİN KASİDESİNDE İTTİHAD-I İSLAM SÖYLEMİ VE SULTAN II. ABDÜLHAMİD
(e-Şarkiyat İlmi Araştırmalar Dergisi Journal of Oriental Scientific Research (JOSR), 2016) BAŞÇI, Nezahat
In the intellectual history of Iran, Mirza Aga Khan Kirmanî has been one of the fiercest advocates of Sultan Abdul Hamid II’s idea of Panislamism during his years in Istanbul along with other figures such as Sayyid Jamaluddin Afghani and Sheikh Ahmad Ruhi. We can see the influence of the Sultan Abdul Hamid II in particular and the Eastern politics of Ottomans in general in his thoughts and Ode. Besides being known as one of the reformers of Persian Literature of Qajar and Constitutional era, he is also accepted as a significant thinker and writer of Iranian constitutionalism amongst Mirza Malkom Khan, Zayn al-Abidin Maraghi, Ahundov, Talibov and other clerics and disciples. He was a literary criticist who simultaneously pursued a multi-faceted political life which would even lead to a political crisis between the Ottomans and the Iranians. Similar thoughts onPanislamism, Kirmanî’s political odes inscribed to Sultan Abdul Hamid II and his relations with the Ottomans constitute a significant place in the modern history of Turkey.
MİRZÂDE IŞKÎ KÜLLİYATINDA OSMANLI - TÜRK MÜLAHAZALARI
(Doğu Araştırmaları Dergisi sayı 2014/2, 2014) BAŞÇI, Nezahat
In many parts in his poetry, articles, play and opera writings Mirzadeh Eshghi, one of the most significant poets of Iranian Constitutionalism era, talks of the Ottoman, Bab-i Ali, Istanbul and Turks. He lived in Istanbul during First World War. Eshghi, as a poet and journalist at the same time, was influenced by ottoman idea and criticized the Young Turks on some their assertions and ideas. In this sense, he was one the major personalities that reflect the Iranian intellectual upheld view of the Ottoman. Eshghi, is considered as a patriotic poet of Iranian Constitutionalism period. Ottoman empire got potrayed true to the political, cultural and literary conjunctural of the time in his poetry. Altough, this could be said to be particle to Eshghi, we can see the same trace in other patriotic Iranian poets of the time. He met Turkish intellectuals such as Ali Nihad Tarlan, Huseyin Danis Pedram and Riza Tevfik. We can infer that he was influenced by Tevfik Fikret's reformist ideas, yet he would still talk in favour of Ottoman-Iranian alliance against the West, or answer Turanists very harshly on occasion, or accuse the Iranian committee of treachery for negotiating with Ottomans. Eshghi, had a short but accomplished life. In this article, we will try to present Eshghi’s perception of the Ottoman Empire and Turks by referring to his poetry.
Osmanlı Safevi İlişkileri Bağlamında " Selimnamelerde Kürtler"
(Kitap Yayınevi, 2017) BAŞÇI, Nezahat
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