Sanat Tarihi Bölümü Koleksiyonu
Permanent URI for this collectionhttps://hdl.handle.net/20.500.12514/75
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Article Citation - WoS: 9Citation - Scopus: 18The cathedral complex at Nisibis(CAMBRIDGE UNIV PRESS, 2013) Keser Kayaalp, Elif; Erdoğan, Nihat; 02.11. Department of History of Art / Sanat Tarihi Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu ÜniversitesiThe cathedral complex at Nisibis sits within what is currently a large excavation site. The excavations, continuing on and off over the last 12 years, have yielded exciting discoveries. This article is not a report of the excavations as such, but, in the light of them, it revisits the cathedral complex in an attempt to reconstruct the possible cathedral on the site and to establish the building phases of the only standing structure on the site, known as the 'Church of Mor Yaqub', which was the baptistery of the cathedral.Article Diyarbakır’da Osmanlı Dönemi Şehir-İçi Hanları Üzerine Değerlendirme(2015) Yeşilbaş, Evindar; 02.11. Department of History of Art / Sanat Tarihi Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu ÜniversitesiOur research is about Diyarbakir's architectural features and the city's busy trade potential between the period of the Ottoman rule of Diyarbakir and the Republican term. It was found that there were 25 caravansaries that were known their name in Diyarbakir until the period of Ottoman. Only four of these caravansaries reached completely or partially up to now; when it comes to the location, only nine of them could be identified by archival documents; there was no information about the other structures except their names. The planning, the external mass, the internal appearance and the material used in these architectures remain connected with the Ottoman tradition, but they mainly exhibit regional characteristics. According to our data, all the inns which we identified their planning styles, were built by doing some user spaces around a courtyard. The flat roofs with wooden girder, the crib with a dome, mirrored and cross vaults were applied variations. The dome transitions were provided by squinches. Diyarbakir trade buildings were mostly made of dark basalt stone in cutting method as well as white or yellowish lime that were ordered alternatively. It was concluded that the structures had decoration styles exhibiting characteristics of their period to a certain extent. The simple decoration style away from exaggeration was in floral, geometric, and partly written arrangements. It was found that in Diyarbakir which has a rich architecture with numerous and different types of structures, several buildings were built by state for the progress of trade in both regional and international trade network in reliable ways and stable conditions; however, some of these structures lost their essential features because of several damages, unconscious interventions and some additions while some others were neglected.Article Diyarbakır'da su mimarisi üzerine bir değerlendirme(2012) Yeşilbaş, Evindar; 02.11. Department of History of Art / Sanat Tarihi Bölümü; 02. Faculty of Letters / Edebiyat Fakültesi; 01. Mardin Artuklu University / Mardin Artuklu ÜniversitesiAnadolu’nun uygarlaşması diyebileceğimiz dönem içinde, çeşitli yerleşim alanlarında ve güzergâhlar üzerinde çok sayıda su yapısı inşa edilmiştir. Söz konusu eserlerin bir bölümü bazı nedenlerden dolayı günümüze kadar ulaşamamıştır. Günümüze ulaşan eserlerin tümünün değerlendirilmediğini de söylemek gerekir. Diyarbakır il merkezinde yer alan su yapılarının mimari özelliklerini genel hatları ile değerlendirmeyi kapsayan çalışmada tarihi taş köprü, hamam ve çeşme yapıları incelenmiştir. Yapılan incelemelerde toplam 42 adet su yapısı (Köprü, Hamam, Çeşme) tespit edilmiştir. Bu yapı ların mimari özellikleri tanıtılmaya çalışılırken fotoğraf ve çizimlerden yararlanılmıştır.